Here are two great tunes that are a lot of fun to play, and very conducive to adding improvisations in performance.
"Raqset al-Atlas" is a famous tune by the Moroccan musician Abdelkader al-Rashdi (عبد القادر الراشدي).   Listening to it recently…

Here's another favorite from Anouar Brahems Thimar on ECM.  This recording was a rearrangement of Brahem's earlier song "Touyour."  This is a beautiful and rare example of Brahem's vocal music.  For Thimar, Brahem took the instrumental interludes from the song…

This is a piece I heard recently and decided to transcribe.  It has a really beautiful and fascinating rhythmic structure, a fact pointed out on Facebook by Faisal Zedan.  Faisal is a master percussionist from Syria with a deep…

Here's one I've been asked for a number of times.  For some reason, I never got around to it before.  This tune first appeared on Rabih Abou-Khalil's album Tarab, and later on the album Arabian Waltz.  It's the…

Continuing my look through Anouar Brahem's music, here's another old one. 

An interesting thing about Brahem is that is recordings are often not perfect performances, and this tune is another example of that.  The first time through the B section…

In 2001, I attended Simon Shaheen's Arabic Music Retreat and was exposed to a lot of "real" Arabic music for the first time. Up to that point, I had mainly been listening to what I could find at Tower Records. 

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This is a lovely piece by Anouar Brahem, one he has rarely performed.  The main recording available is Thimar, with Dave Holland and John Surman. 

This album was my first experience with Brahem's music; it came out in 1998…

Here's my transcription of one Anouar Brahem's most popular pieces, Parfum de Gitane.   This sheet music is based on the version he plays on "Astrakan Cafe," which has some minor differences from the version he plays on "Barzakh."

This is…

I thought I'd repost some old transcriptions.  Yesterday's post of Anouar Brahem's "The Astounding Eyes of Rita" reminded me of some older transcriptions of his music that I did ages ago. 

I'd posted some of these ages ago on my…

This is a sound that (if memory serves) I first noticed when transcribing John Coltrane's solo on "I Hear A Rhapsody" from his 1957 album "Lush Life."  I don't think I've ever come across anyone discussing this particular scale, so…

(Note: Originally published November 2009 - accidentally deleted, so reposting)

In the previous post, I put up a transcription of a signature line from Kurt Rosenwinkel's solo on "Zhivago" from The Next Step. The line is basically planing a…

I've always been a fan of Anouar Brahem.  He's one of the first oud players I heard and is partly responsible for inspiring me to learn the oud in the first place (along with Rabih Abou-Khalil).  After met Simon Shaheen…

Here transcription of "the lick" from Zhivago. I've deconstructed it and will post some of what I came up with in the next post.

Note that he's using his weird tuning so there are some unreachable low notes for a…