I'm very excited to finally announce a few shows coming up. It's been almost exactly two years since I had to cancel all my performances due to the pandemic, and more than anything, I've missed live events—playing music with people…
Here are two great tunes that are a lot of fun to play, and very conducive to adding improvisations in performance. "Raqset al-Atlas" is a famous tune by the Moroccan musician Abdelkader al-Rashdi (عبد القادر الراشدي). Listening to it recently…
Here's another favorite from Anouar Brahems Thimar on ECM. This recording was a rearrangement of Brahem's earlier song "Touyour." This is a beautiful and rare example of Brahem's vocal music. For Thimar, Brahem took the instrumental interludes from the song…
This is a piece I heard recently and decided to transcribe. It has a really beautiful and fascinating rhythmic structure, a fact pointed out on Facebook by Faisal Zedan. Faisal is a master percussionist from Syria with a deep…
Here's one I've been asked for a number of times. For some reason, I never got around to it before. This tune first appeared on Rabih Abou-Khalil's album Tarab, and later on the album Arabian Waltz. It's the…
Continuing my look through Anouar Brahem's music, here's another old one.
An interesting thing about Brahem is that is recordings are often not perfect performances, and this tune is another example of that. The first time through the B section…
In 2001, I attended Simon Shaheen's Arabic Music Retreat and was exposed to a lot of "real" Arabic music for the first time. Up to that point, I had mainly been listening to what I could find at Tower Records.
I thought I'd share a few thoughts about a general concept/technique in Arabic music that I think of as "rubato on the beat" or "out-of-time but in-time." I've never heard anyone use a specific term for this in Arabic, if…
Inside Arabic Music is is an absolute treasure for anyone looking to learn more about Arabic music and maqam, specifically as it relates to the "Golden Age" of Arabic music from the 1930s-1970s where Arabic music moved away from the…
Here's my transcription of one Anouar Brahem's most popular pieces, Parfum de Gitane. This sheet music is based on the version he plays on "Astrakan Cafe," which has some minor differences from the version he plays on "Barzakh."
This is a little exercise I wrote to practice the higher positions and achieving consistent intonation on the oud. The notes are all C major on the first string.
I suggest following the fingerings exactly to get the intended benefits…
I thought I'd repost some old transcriptions. Yesterday's post of Anouar Brahem's "The Astounding Eyes of Rita" reminded me of some older transcriptions of his music that I did ages ago.