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Wayne Shorter: El Gaucho

UPDATE  5/3/23 - found the transcription!  Link should work now. 

Just thought I'd share a transcription I did a while ago.  I think it's pretty accurate, but there may be some some mistakes or typos (since I do these primarily…

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Taqasim Lesson: Rubato on the Beat & Polyrhythms

I thought I'd share a few thoughts about a general concept/technique in Arabic music that I think of as "rubato on the beat" or "out-of-time but in-time." I've never heard anyone use a specific term for this in Arabic, if…

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Book Review: Inside Arabic Music by Johnny Farraj & Sami Abu Shumays

Inside Arabic Music is is an absolute treasure for anyone looking to learn more about Arabic music and maqam, specifically as it relates to the "Golden Age" of Arabic music from the 1930s-1970s where Arabic music moved away from the…

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Key-oriented perspective

It's very common in jazz education to encourage a chord-oriented perspective on improvisation. In many ways, this makes a lot of sense and can be a valuable way of analyzing the music. However, it runs the risk of one failing…

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Ear Conditioning

Here's an (IMHO) excellent exercise that trains your ears and works on connecting your hearing and improvising. I forget where I got the initial idea, but this the the procedure I've developed and found helpful:


Take a chord progression (maybe…

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Starting and Ending Phrases

Large intervallic leaps and interesting rhythms can make phrases more compelling.  The most effective place to use both devices is at the beginnings and endings of phrases.  Intensifying one's focus on how one starts and concludes improvised musical phrases has…

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